Tag: Curzon
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François Ozon slowly and meticulously reassembles Camus’ The Stranger to create one of the best adaptations put to screen. Albert Camus’ first novel, L’Etranger, is, by virtue of its philosophy, a tough one to adapt to screen. What is, in many ways, a celebration of fatalism, doesn’t quite gel with the neoliberal inevitability that has…
